Like the Metamaterial Drum, a Metamaterial Guitar can be constructed using masses attached to the guitar top plate. When magnets are used, such masses are easily attached and de-attached or placed at different positions:

This creates a band-gap in the low frequency range when placing the magnets in a line next to the bridge:

Below, the blue curve is a classical guitar without magnats attached, the yellow curve that with heavy magnets. The sound is very unique, as guitars never have a band-gap of such a kind. Low frequencies are still loud, also upper mid-frequencies and high frequencies are present. Still around 300 Hz the guitard does not respond. The reason is a heavy distortion of the eigenmodes:

Magnets with low mass have the same effect, still much more subtle. The amount, mass, and placement of the magnets determine the strength and position of the frequency band-gap and therefore make alternations of guitar sounds.
In videos the influence of different magnets on the top plate vibrations can be seen:
No magnets:
Heavy Magnets right above the bridge:
Small magnets right above the bridge:
Small magnets between bridge and soundhole:
Small magnets at soundhole:
New: metamaterial guitars
Small masses placed on a guitar top plate in a regular pattern create a gap in the guitar’s frequency response. This gives guitar makers a new, reversible tool to design the instrument’s sound.

Literature
Bader, R. & Kontopidis, P.: Sound designing classical guitars through metamaterials. J. Acoust. Soc. Am. 155, A59-A60, 2024.
Bader, R.: Guitar Spectrum Smoothing using Metamaterial Hollow Fans. Proceedings DAGA 2024.
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